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I
from "Songs of Exile"
Funny that I, who might have found myself
in jail in another place and time,
Come halfway around the world
to serve a prison guard -
Certainly a punishment to fit the crime.
They, down in the prison yard,
pacing like leopards in a cage -
I, a captive audience in the tower,
observing them hour by hour.
I always suspected that
the jailer's incarcerated too.
In a broader sense, the question's who
is in his natural habitat?
And if both of us, then who's the mouse
and who's the cat?
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II
(from "Architectural Elements")
Elements of Arabic architecture,
each altogether suggestive
of some hidden pleasure:
the Dome of the Breast;
the Arch of the Torso;
the minaret's preeminence;
the interplay of prurience and prudery,
revelation and concealment,
a dance of seven veils or Sheharazade's
tales within tales. ...
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I
from Hamsin (East Wind)
The east wind brings ill tidings
called hamsin, sharaav, sirocco,
a desert wind, a gritty wind
penetrating the nostrils,
filling the mouth to the back teeth.
It is better not to speak.
The mind reels, inflamed,
caught under a magnifying glass.
An east wind parted the Red Sea,
"the wind of judgment,"
a commentator called it.
A shift in atmosphere is detected
as the weather forecast fades
into a sandstorm of white noise.
The weatherman's voice remains calm
even as it is overcome
by the words of the Prophet. ...
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X
from Songs of Exile
Call me Gershom,
a stranger in a strange land.
Call me Menassah,
for I have forgotten my father's house.
Call me Maher-shalal-hash-baz,
hasten booty hasten spoil.
Call me Mara, the bitter one.
Call me Benoni, son of sorrow and toil.
Call me Cain, behold a man,
an exile and an exile's son.
And what of the sons whom I begot
back in Babylon, Egypt, or was it Rome?
Will they forget; I will not.
And one question I ask of God:
Is this the land of honey
or the land of Nod?
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